If you think you know Caribou, think again. Dan Snaith’s new album, ‘Swim‘ is the sound of the musical glass ceiling being blown away.
From the opening effervescent gambol of ‘Odessa’ to the glorious odyssey of ‘Jamelia’, it’s crystal clear that Caribou has made a massive leap forwards, upwards and sideways. If you haven't yet, check out ‘Odessa’ here:
From the opening propulsion of ‘Melody Day’ to the drifting trance of ‘Niobe’, Snaith once again stands alone as a giant talent, who fully understands the power of experimental leftfield pop and paws at its parameters each and every time. Welcome back Caribou.
From the opening propulsion of ‘Melody Day’ to the drifting trance of ‘Niobe’, Snaith once again stands alone as a giant talent, who fully understands the power of experimental leftfield pop and paws at its parameters each and every time. Welcome back Caribou.
From the opening propulsion of ‘Melody Day’ to the drifting trance of ‘Niobe’, Snaith once again stands alone as a giant talent, who fully understands the power of experimental leftfield pop and paws at its parameters each and every time. Welcome back Caribou.
